❋ Hayley Suviste

Sound Art, Moving Image, Field Recording


Hayley’s practice is grounded in listening — to people, environments, and the stories and memories they hold. She works with oral histories, field recordings, and moving image, gathered through her own practice, community workshops, or drawn from archival sources. From these materials, she weaves sonic and visual worlds through installation, live performance, and long-form audio-visual and radiophonic work. Often using multi-channel and ambisonic sound, she creates environments that place the listener within them, where quieter details come into focus.

She is currently undertaking a practice-based PhD at the University of Manchester’s NOVARS Research Centre, funded by the NWCDTP. Her research explores oral histories as compositional material, alongside the ethical considerations of working with recorded voices in sound-based practice, including engagement with her own family histories and collaborative methods.

She has received commissions from Sounds from the Other City, Huddersfield Contemporary Music Festival, North West Sound Heritage, NEWSUBSTANCE, Olympias Music Foundation, and Quays Culture, MediaCityUK and Mediale, for which she collaborated with the BBC Philharmonic Orchestra. She has been artist in residence at Maajaam (Estonia), Elektronmusikstudion EMS (Sweden), Forestry England, UoS Acoustic Laboratories, The Glasshouse International Centre for Music (Newcastle, UK), and Yorkshire Sound Women Network (University of Hull’s Ambisonic Studio). Her live performances have been presented at venues and festivals across the UK and internationally.

❋ Events
❋ Contact
Bandcamp // YouTube // Instagram

info@hayleysuviste.co.uk

❋ Edgeland (2020)

As Manchester’s streets and skyline are warped by the ever-accelerating process of urban renewal, the city’s edgelands and green spaces are at risk of being swallowed by waves of property development. Not only does this raise questions about the ecology of the city, as carbon sinks are flattened and wildlife is displaced, but it speaks to broader trends pushing urban residents away from shared space, community and local identity.

This project shines a light on these spaces and the activists, academics, and local people who have taken up the daunting fight against corporate interests in the city in the name of biodiversity, urban ecology and community wellbeing. As we are faced with crises of both environment and mental health, the role of public green spaces has become ever more crucial in the eyes of those who enjoy, nurture, and maintain them.

As the tide of urban growth edges closer to the open boundaries of our shared spaces, the trees, wildlife and insects continue their gentle movement, unaware that these spaces are likely reaching the end of their rich lineage. If nothing else, this project documents these final days.

Commissioned by Huddersfield Contemporary Music Festival 

Edgeland by Hayley Suviste




Photos taken at Ryebank Fields
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