❋ Hayley Suviste
Sound Art, Moving Image, Field Recording
Hayley’s practice is grounded in listening — to people, environments, and the stories and memories they hold. She works with oral histories, field recordings, and moving image, gathered through her own practice, community workshops, or drawn from archival sources. From these materials, she weaves sonic and visual worlds through installation, live performance, and long-form audio-visual and radiophonic work. Often using multi-channel and ambisonic sound, she creates environments that place the listener within them, where quieter details come into focus.
She is currently undertaking a practice-based PhD at the University of Manchester’s NOVARS Research Centre, funded by the NWCDTP. Her research explores oral histories as compositional material, alongside the ethical considerations of working with recorded voices in sound-based practice, including engagement with her own family histories and collaborative methods.
She has received commissions from Sounds from the Other City, Huddersfield Contemporary Music Festival, North West Sound Heritage, New Substance, Olympias Music Foundation, and Quays Culture/MediaCityUK/Mediale, for which she collaborated with the BBC Philharmonic Orchestra. She has been artist in residence at Maajaam (Estonia), Elektronmusikstudion EMS (Sweden), Forestry England, the University of Salford Acoustic Laboratories, The Glasshouse International Centre for Music (Newcastle, UK), and Yorkshire Sound Women Network (University of Hull’s Ambisonic Studio). Her live performances have been presented at venues and festivals across the UK and internationally.
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