❋ Hayley Suviste

Sound Art, Moving Image, Field Recording


Hayley’s practice is grounded in listening — to people, environments, and the stories and memories they hold. She works with oral histories, field recordings, and moving image, gathered through her own practice, community workshops, or drawn from archival sources. From these materials, she weaves sonic and visual worlds through installation, live performance, and long-form audio-visual and radiophonic work. Often using multi-channel and ambisonic sound, she creates environments that place the listener within them, where quieter details come into focus.

She is currently undertaking a practice-based PhD at the University of Manchester’s NOVARS Research Centre, funded by the NWCDTP. Her research explores oral histories as compositional material, alongside the ethical considerations of working with recorded voices in sound-based practice, including engagement with her own family histories and collaborative methods.

She has received commissions from Sounds from the Other City, Huddersfield Contemporary Music Festival, North West Sound Heritage, NEWSUBSTANCE, Olympias Music Foundation, and Quays Culture, MediaCityUK and Mediale, for which she collaborated with the BBC Philharmonic Orchestra. She has been artist in residence at Maajaam (Estonia), Elektronmusikstudion EMS (Sweden), Forestry England, UoS Acoustic Laboratories, The Glasshouse International Centre for Music (Newcastle, UK), and Yorkshire Sound Women Network (University of Hull’s Ambisonic Studio). Her live performances have been presented at venues and festivals across the UK and internationally.

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Contact


Bandcamp // YouTube // Instagram


info@hayleysuviste.co.uk

❋ Oma juured (2026)



Oma juured tracks two journeys across Estonia. Separated in time, but knotted around shared roots, these are tales of our belonging to the deeper and quieter history told by the trees and waters that patiently envelop our lives. Combining oral histories, video footage, field recordings, folk songs, and original music, this piece is an audio-visual reflection on family, memory, place, and homecoming. 

Ülo Suviste was forced to flee his homeland at the age of eighteen, following the Soviet occupation of Estonia during the Second World War. In 1994 – after fifty years in exile – he returned to a newly independent Estonia, documenting the journey on his camcorder. He revisited the towns and forests of his youth, gathering mushrooms, reconnecting with relatives, and attending the Laulupidu song and dance festival.

Thirty years later, five years after grandad Ülo’s death, Hayley Suviste spent a summer in those same towns and forests, collecting field recordings, footage, and music as she worked to trace their shared ancestry. Her search led her to Kuijõe, a small village her family had called home since the 17th century. Amid the pine trees and wych elm sat a derelict wooden cabin, once home to her great-great-grandparents, now half-swallowed by the forest.   


❋ Premiere:  Huddersfield Contemporary Music Festival, Phipps Hall | Friday 27th November, 4pm | FREE ENTRY | Event Details here  


Produced by hcmf// supported by Estonian Centre of Contemporary Music; also supported by Hinrichsen Foundation and Vaughan Williams Foundation 

Oma juured is part of Hayley Suviste’s composition portfolio for her PhD in Electroacoustic Composition at the University of Manchester, funded by the NWCDTP. Additional thanks to Maajaam Art Residency in Estonia, where the work was developed.