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<channel>
	<title>Hayley Suviste</title>
	<link>https://hayleysuviste.co.uk</link>
	<description>Hayley Suviste</description>
	<pubDate>Mon, 20 Oct 2025 12:12:29 +0000</pubDate>
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	<item>
		<title>Home</title>
				
		<link>https://hayleysuviste.co.uk/Home</link>

		<pubDate>Fri, 07 Jul 2023 16:09:15 +0000</pubDate>

		<dc:creator>Hayley Suviste</dc:creator>

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		<description></description>
		
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	<item>
		<title>Sounding Water</title>
				
		<link>https://hayleysuviste.co.uk/Sounding-Water</link>

		<pubDate>Mon, 20 Oct 2025 12:12:29 +0000</pubDate>

		<dc:creator>Hayley Suviste</dc:creator>

		<guid isPermaLink="true">https://hayleysuviste.co.uk/Sounding-Water</guid>

		<description>

Sounding Water
An unfolding durational gathering of sound, image, and voice at PINK in Stockport (17–19 October 2025), created in collaboration by Fiona Brehony, Aisling Davis, Lizzie King, and Hayley Suviste. Sounding Water explores how we might engage with the agency of water to surface and liberate the layered histories of the places we inhabit. 

Performance


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A sold-out evening of live performance that interwove the artists’ field recordings, archival traces, spoken word, and moving image into a fluid, multi-channel environment, inviting listeners to drift along the currents of memory and place. Live multi-channel mixing by Emmy Lambert.&#38;nbsp;

Installation &#38;amp; Workshops&#38;nbsp;

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Over the weekend, visitors engaged with the Sounding Water installation through interactive listening, creative writing and drawing, and playful sound-making activities with water. The programme featured a deep listening workshop on Saturday and concluded with a relaxed listening party and conversations with the artists on Sunday.
Digital Release &#38;amp; Publication

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We have released Sounding Water as a publication with digital audio download, including a binaural mix of the live performance. Featuring four ten page books in a soft wrap cover, this handmade book shows field work documentation from each of out four artistic practices. The photography sitting side by side encourages a conversation between the images in a parallel way to the sound. Availible to purchase for £10 via Bandcamp.
Sounding Water by Lizzie King, Fiona Brehony, Hayley Suviste, Aisling Davis

Sounds from:〰 King’s Kersal Wetlands - considering the man-made flood defences and its multi-species inhabitants, including the water boatman.〰 Brehony’s River Irk - the hum of water-based paint machines threaded through fabric of a river, textured traces of industry and renewal along its banks. Protest, dance, and the call of an early morning rooster.〰 Suviste’s bogs and mosses of Delamere Forest - deep within the restored wetlands, the air crackles, pops, and gurgles with the sounds of life returning to the ancient bogs and mosses - lands that humans drained and degraded over the course of a century.〰 Davis’ Quantum Lake - recorded under 24-hour Arctic sunlight, where meltwaters meet long-term lemming studies. Molecular echoes, original scores, and field samples reflect on solitude, perception</description>
		
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	<item>
		<title>From the River's Mouth</title>
				
		<link>https://hayleysuviste.co.uk/From-the-River-s-Mouth</link>

		<pubDate>Wed, 05 Feb 2025 16:43:34 +0000</pubDate>

		<dc:creator>Hayley Suviste</dc:creator>

		<guid isPermaLink="true">https://hayleysuviste.co.uk/From-the-River-s-Mouth</guid>

		<description>
From The River’s Mouth (2025)


From the River’s Mouth is a sound installation created during an artist residency at the University of Salford’s Acoustics Laboratories in early 2025, in partnership with From The Other and the University of Salford Art Collection. Premiered at Sounds from the Other City 2025, the work explores the River Irwell through spatialised sound, moving image, and field recordings, and will join the University’s permanent art collection.
The installation was presented across three distinct rooms in the labatories, each utilising different acoustic environments and technology:


— In the Shallows (anechoic chamber) is composed entirely of underwater recordings captured with hydrophones submerged in the Irwell. Projected through a 12-channel speaker array in the total silence of the chamber, this room offers an intimate listening experience—revealing the river’s hidden, subaquatic world - from the loud, ever-present hum of the city below the surface to the crackling, hissing, and popping effervescence of life in the Kersal Wetlands.

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— At the River’s Edge (listening room) shifts from underwater to the surface of the river. Using a 112-channel Wave Field Synthesis rig and 8 additional spatialised channels, this room presents field recordings and footage captured along the river’s banks.&#38;nbsp;
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— Outflow (reverberation room) features 7-channel audio paired with cymatic water projections. In this space, sound frequencies vibrate the water, generating dynamic, real-time patterns that are synchronised with the audio.



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Photographs by William Rowe &#38;amp; Hayley Suviste

Reviews
❋ Read Fiona Brehony’s reflections on the work, here.❋ Read Lizzie King’s response, here.&#38;nbsp;
 
</description>
		
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	<item>
		<title>Forestry England Residency</title>
				
		<link>https://hayleysuviste.co.uk/Forestry-England-Residency</link>

		<pubDate>Tue, 08 Apr 2025 13:43:14 +0000</pubDate>

		<dc:creator>Hayley Suviste</dc:creator>

		<guid isPermaLink="true">https://hayleysuviste.co.uk/Forestry-England-Residency</guid>

		<description>Forestry England Residency (2025)


I am currently undertaking an art residency at Forestry England, funded by the NWCDTP. From April to June 2025, I’ll be working across three forest sites in England: Delamere, Bedgebury, and the New Forest. Collaborating with local ecologists and foresters, I’ll explore how the distinct landscapes, ecologies, and stories of each site can inform and shape my artistic practice. During these visits, I’ll gather and experiment with field recordings, photography, and video, using this material as the foundation for new audio-visual works created in response to each place.

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Photos from ‘The Lost Mosses of Delamere’ (April ‘25)</description>
		
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	<item>
		<title>Edgeland </title>
				
		<link>https://hayleysuviste.co.uk/Edgeland</link>

		<pubDate>Sat, 08 Jul 2023 10:25:27 +0000</pubDate>

		<dc:creator>Hayley Suviste</dc:creator>

		<guid isPermaLink="true">https://hayleysuviste.co.uk/Edgeland</guid>

		<description>Edgeland (2020)&#38;nbsp;


	Commissioned by Huddersfield Contemporary Music Festival 


As Manchester’s streets and skyline are warped by the ever-accelerating process of urban renewal, the city’s edgelands and green spaces are at risk of being swallowed by waves of property development. Not only does this raise questions about the ecology of the city, as carbon sinks are flattened and wildlife is displaced, but it speaks to broader trends pushing urban residents away from shared space, community and local identity.

This project shines a light on these spaces and the activists, academics, and local people who have taken up the daunting fight against corporate interests in the city in the name of biodiversity, urban ecology and community wellbeing. As we are faced with crises of both environment and mental health, the role of public green spaces has become ever more crucial in the eyes of those who enjoy, nurture, and maintain them.

As the tide of urban growth edges closer to the open boundaries of our shared spaces, the trees, wildlife and insects continue their gentle movement, unaware that these spaces are likely reaching the end of their rich lineage. If nothing else, this project documents these final days.

This work weaves together recorded conversations, composed music and field recordings from a handful of Manchester’s urban wildlife havens. Interviewees include community activists Julie Ryan and Tara Parry from ‘Friends of Ryebank Fields’, award-winning alternative tour guide Hayley Flynn (Skyliner) and Dr Jenna C. Ashton (artist, curator and lecturer at The University of Manchester).



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Edgeland by Hayley Suviste

</description>
		
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	<item>
		<title>Navvies </title>
				
		<link>https://hayleysuviste.co.uk/Navvies</link>

		<pubDate>Fri, 07 Jul 2023 16:06:50 +0000</pubDate>

		<dc:creator>Hayley Suviste</dc:creator>

		<guid isPermaLink="true">https://hayleysuviste.co.uk/Navvies</guid>

		<description>Navvies (2022)

Navvies recognises the role of the 17,000 navvies who dug the Manchester Ship
Canal. From their labour flowed the city of Salford, Greater Manchester’s
industrial success, and eventually: Salford Quays and Media City itself. The
Navvies Union estimates that up to 1,100 of these navvies died digging the
Canal, with more injured. These men migrated from all areas of the UK,
alongside thousands from Ireland, who, in particular, faced extreme prejudice. 



The composition weaves together the voices of the Salford Loaves and
Fishes community group, who share their insights into the navvies' experiences
and reflections on their present-day lives in Salford. These personal accounts are
combined with field recordings and music performed by the BBC Philharmonic.



This project was commissioned by Mediale and premiered at Lightwaves
Festival 2022 in Media City. The composition accompanied visuals by Matthew
Rossier, which saw dozens of anonymous individuals endlessly digging under the
water, being projected into the Manchester Ship Canal – only their white spades
and barrows moving.


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	<item>
		<title>the pigeons from my window</title>
				
		<link>https://hayleysuviste.co.uk/the-pigeons-from-my-window</link>

		<pubDate>Tue, 04 Mar 2025 09:41:22 +0000</pubDate>

		<dc:creator>Hayley Suviste</dc:creator>

		<guid isPermaLink="true">https://hayleysuviste.co.uk/the-pigeons-from-my-window</guid>

		<description>

the pigeons from my window
(2025)

A live performance originally created for a gig at PINK in Stockport, as part of Handbook In Motion, accompanied by visuals of the pigeons that live on my street. Adapted for the MANTIS 55-speaker system with ambisonic sound.

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	<item>
		<title>Early Experiments in Recording, Vol.1</title>
				
		<link>https://hayleysuviste.co.uk/Early-Experiments-in-Recording-Vol-1</link>

		<pubDate>Fri, 12 Apr 2024 16:31:19 +0000</pubDate>

		<dc:creator>Hayley Suviste</dc:creator>

		<guid isPermaLink="true">https://hayleysuviste.co.uk/Early-Experiments-in-Recording-Vol-1</guid>

		<description>Early Experiments in Recording, Vol.1 (1976-2021)

My piece ‘Degung’ from 2016, the first piece of electroacoustic music I ever made, features on the&#38;nbsp;Early Experiments in Recording, Vol.1 (1976-2021)&#38;nbsp;compliation by Otis Jordan for Hood Faire Records. It’s a celebratory collection of early recordings by experimental artists from across the UK and Europe.Limited to 200 copies on vinyl, these 21 tracks were recorded between 1976 and 2021, using DIY home recording equipment from dictaphones to early laptop microphones. Almost all of these now-celebrated musicians were teenagers at the time.For most, these were the very first recordings they made. For others, these were their earliest tracks to survive the ravages of tech — disintegrating tapes, lost floppy disks, stolen gear and damaged hard drives.Some of these sonic diary entries remain warped and worn with the crackles and hiss of age, but all of them are new to our ears. It's essential listening for those interested in the work of these artists, the origins of art, and shifts in DIY possibilities and aesthetics over the past five decades. 




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Early Experiments in Recording, Vol.1 (1976-2021) by Various Artists

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	</item>
		
		
	<item>
		<title>Hayley Suviste &#38; Lili Holland-Fricke </title>
				
		<link>https://hayleysuviste.co.uk/Hayley-Suviste-Lili-Holland-Fricke</link>

		<pubDate>Sun, 14 Apr 2024 09:15:56 +0000</pubDate>

		<dc:creator>Hayley Suviste</dc:creator>

		<guid isPermaLink="true">https://hayleysuviste.co.uk/Hayley-Suviste-Lili-Holland-Fricke</guid>

		<description>Hayley Suviste &#38;amp; Lili Holland-Fricke

Our collaboration involves creating dark and swirling soundscapes, constructed from processed cello, clarinet, guitar, electronics, and vocals. In 2023, we were selected to participate in the Summer Studios Residency at The Glasshouse International Centre for Music in Gateshead. During this residency, we focused on refining our music and live set, which we performed in Sage Two. Additionally, we received an invitation to a residency at The University of Hull, where we further developed one of our compositions, 'Womb,' for real-time ambisonic mixing. This piece was subsequently performed on their HEARO system during a concert, and also at the MANTIS Festival in Manchester in October 2023.



‘Womb’ is a semi-improvised composition featuring the shruti box, cello, clarinet, and electronics. It explores the sensation of being enveloped in water.</description>
		
	</item>
		
		
	<item>
		<title>Chorlton Oral History Sound Walk</title>
				
		<link>https://hayleysuviste.co.uk/Chorlton-Oral-History-Sound-Walk</link>

		<pubDate>Sat, 08 Jul 2023 15:00:59 +0000</pubDate>

		<dc:creator>Hayley Suviste</dc:creator>

		<guid isPermaLink="true">https://hayleysuviste.co.uk/Chorlton-Oral-History-Sound-Walk</guid>

		<description>Chorlton Oral History Walk (2021)

Commissioned by North West Sound Heritage, Hayley created a geo-locative sound walk on Sonic Maps, using interviews from The Manchester Studies unit’s extensive oral history project from the 1970s. Older adults (born in the late 19th and early 20th centuries) were interviewed about their time growing up, living, and working in Chorlton between 1900 and 1950. These oral histories have been brought to life with field recording and sound design. Listen in person or on the Sonic Maps web player.Listen to the full sound walk on Sonic Maps here. 





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